Theatre Unleashed, who has employed a sense of intelligence and willingness to push the envelope over the ensuing years, now takes on Steinbeck’s “Of Mice and Men.”
Starting June 1st and running throughout the entire month Hollywood Fringe 2017 will be offering up 356 shows; all vying for your attention. Tickets become available May 1, so now’s the time to start checking out the Fringe at hollywoodfringe.org/ to start making your plans.
In an isolated study room, set off in a forgotten wing of a cavernous comprehensive school tucked away in a working-class district of Britain, Tony Award-winning playwright and former teacher Simon Stephens deals out a tidy collection of “at-risk youths.”
The Not Man Apart Physical Theatre Ensemble never fails to deliver. "Ajax in Iraq," "The SuperHero and his Charming Wife," and their other stagings have displayed a wonderful theatricality and have provoked thought and discussion in their audiences.
Jack Lukeman has a voice that feels like a friend’s hand on a troubled shoulder. From his 1995 debut album — Wax, performing as Jack L with the band The Black Romantics — his opulent voice has enticed admirers like a porch light attracts Southern
Forever Flamenco, have I said it once? Have I said it twice? I’ve lost count of how many times I’ve said it: “The Best Ticket in Town.” One Sunday a month, the stage at the Fountain Theatre is scorched by world class artists, dancers and
Matt Chait’s Disinherit the Wind opens quite nicely, with a depiction of Bertram Cates (Chait), a neurobiologist giving a lecture on DNA before his college class. Those few enjoyable minutes, unfortunately, roll into three hours of intellectually flawed arguments, eschewed logic, cardboard characters, woeful misinterpretations