By Ernest Kearney — Paige Fockler sets up an interesting reality in her Hollywood Fringe one-woman show. She has barged into her therapist’s office without an appointment, hoping she’ll be able to squeeze-in between those in the waiting room with appointments.
By Ernest Kearney — "Vice" is a futuristic, dystopian drama, chock full of revolution, the dominance of virtual reality to keep populations docile, a matriarchal dictatorship, families torn apart, techno-enforced totalitarianism, and an ever-present “Big Sister” to assure compliance.
By Ernest Kearney — At the 2017 Hollywood Fringe Festival, "The Girl Who Jumped Off the Hollywood Sign" —written and performed by Jenne Hartstone— earned a number of honors, including the Tvolution Award for Best Solo Show (female,) and left no doubts about
By Ernest Kearney — “Tomb” borrows from Stephen King’s The Shining and George Lukas’ classic THX 1138. There’s nothing wrong with that, except they haven’t borrowed the interesting parts.
By Ernest Kearney — "Black Woman in Deep Water" written and performed by Makena Hammond, under Jane Fleiss Brogger’s, direction is a pearl whose value is reflected not in its size but in its perfection.
By Ernest Kearney — Joyce Lee’s "The Dean’s Office" approaches a number of vital issues involving the propagation of systemic racism in the learning institutes of America.
By Ernest Kearney — Ruchi Kishore, creator and star of "Dirty Chai – a hip-hop bollywood musical" which recently played during the Hollywood Fringe Festival, has staged a rather flat, staggeringly uninspired girl meets girl romance that is strictly by the numbers.
By Ernest Kearney — “The Easter Bunny” is a self-described live stream “urban horror story” by Canada’s Marbles Theatre Group. It was the third virtual show that I had sat through in one evening. The first was a dance performance initially
By Ernest Kearney - In this refashioning of the first chapter from F. Scott Fitzgerald’s 1925 novel, "The Great Gatsby," the audience is realigned as the embodiment of Nick Carraway, the book’s narrator, and "he/we" arrive at a dinner party thrown by Daisy and Tom
"Toshanisha – The New Normal" is a collaboration between South America’s Os Satyros and Africa’s Bold Theatre Kenya, and
