By Ernest Kearney — I am an aficionado when it comes to Flamenco. I am also a huge fan of both Aylin Bayaz and Raul Mannola and their show Flamencodanza.""
By Ernest Kearney — There was some talent on the stage – Danielle Shvartsman, Hess Hagge, and Phil Arliss – and then there wasn’t.
By Ernest Kearney — This is the second installment of the autobiographical tale Cooper Bates first introduced to Hollywood Fringe audiences in 2018. That show, like this one, follows his journey from the small town of Hill City, Kansas as he tries to realize his
By Ernest Kearney — Writer-Performer Casey Alcoser gives us a brief history of Lovecraft’s chilling monstrosities in this quirky Dadaesque sketch about the American fantasy/horror writer Howard Phillips Lovecraft.
By Ernest Kearney — The first date that manages to spiral down from the awkwardness of the initial meeting into the flaming bowels of hell is not exactly a fresh concept. But when you have a cast of highly talented actors and a script where
By Ernest Kearney — The first superstar of ballet was Vaslav Nijinsky (1890-1950). The remarkable fusion of strength and grace he possessed would lead to his being declared “the god of dance” by his admirers.
By Ernest Kearney — "The Ramón Show" is a public health service message masquerading as a Fringe show
By Ernest Kearney — In "The Sentence," Co-Writers/Co-Directors-Producers Ainsley Ferrell and Hannah Moore have attempted to present a layered murder mystery
By Ernest Kearney — This Hollywood Fringe (HFF23) has not had a sweeter show, and the ingredients that went into making a success of "Cross My Heart" are few but well-selected.
By Ernest Kearney — We have seen these types of shows, wherein one character is contemplating suicide; “Every Brilliant Thing,” “Suicide, Incorporated,” “'Night, Mother” and others
